Marc Jacobs' character in the film lures underage kids off the street with promise of income for web-chat porn and prostitution. Discussing his character in the film he told Entertainment Weekly:
“My character is Harvey and I run a house for minor [in age] Internet porn. It’s all virtual. People go online and they talk to these kids about their fantasies or whatever. I’m the sort of father of them in the house – the Fagan of all these wayward kids who come stay in this house,” Jacobs explained. “In the end, I’m really not a bad character. I’m actually the one who is protecting them in a way. I’ve taken them off the streets, and they don’t get harmed. They’re doing something that is virtual, though they are talking about sex. But you can look at it two ways. Harvey isn’t a pimp, having them meet up like street hookers or giving them drugs. He provided a home for the kids. But it is sleazy.”
Watch him in the short Clip with the young boys
Marc Jacobs on psychoterapy, internet
Between designing for three different brands, living between two countries and acting in a film, how do you disconnect?
“I’m not
attached to phones or computers. I’m with my team so often that other
than sending a silly text here or there, I’m not dependent on the
internet. The film deals with the greater problem [concerning the
internet], which is people’s inability to deal with honest feelings. The
internet is one way that people’s problems manifest themselves, similar
to a pint of Haagen Daaz for someone with an eating disorder or drugs
for an addict. This is what comes of people not being able to honestly
communicate and connect.”
What advice would you give to parents of children in the internet age?
I have no advice.
After years of
psychotherapy, I’ve learned that we need to be able to express our
feelings, be able to tell a parent or a friend, ‘I need your love.’
There has to be a healthier way of communicating, rather than fearing
confrontation and looking for escapes.
After a lot of
group therapy and psychiatry I’m learning to become fluent in expressing
anger and fear. For instance, with my psychiatrist, it’s easy for me to
tell him about the resentments and difficulties that I’m feeling with
people, but I can’t tell the person about whom I’m feeling this way.
It’s a practice, and I’ll never feel like, ‘Oh yeah, I’ve got this. I’m
good.’” (For the record, Jacobs told us he does wear his own line as well as Prada and Comme des Garcons.)
What are the lessons we can take away from “Disconnect”?
“I don’t want
to chat online with people I don’t know. Firstly, there’s something
deeper there. Boredom? Years ago I had a MySpace account and I had all
these friends I didn’t know and that fed my ego. I’d stay up until 2AM
chatting with people I don’t know. Who does that benefit? Me or them?
Even today,
I’ll find myself on the treadmill on the gym and people will come up to
me and say, ‘Why won’t you talk to me now? You were talking to me on
Facebook at 4AM.’ That’s not me, that’s Marc Jacobs the brand. People
will approach me at restaurants and say, ‘We’re Facebook friends, why
don’t you say hello?’ Again, that’s not me, that’s Marc Jacobs the
company.
I don’t want to live virtually, locked in a room,
interacting with a screen.”
Interview via The HuffingtonPost
Read how Marc Jacobs has been copying my work for 7 years.
Interview via The HuffingtonPost
Read how Marc Jacobs has been copying my work for 7 years.
